Ladys Album Of The Week

Recommended listening, once a week. Some old, some new; some popular, some impossible to find. Updates every Friday.

Cover art: Vagabon in a red dress in front of a blue background.

On Bandcamp. On MusicBrainz.

This post goes up a bit late because I have been busy playing Pokémon Legends: Z‐A, which is set in the Pokémon version of Paris. I don¦t have any Parisian music to recommend, but Vagabon is Cameroonian and fluent in French, so maybe that helps?

Sorry I Haven¦t Called is Vagabon¦s follow·up to her self‐titled second album (and Nonesuch Records debut), which was quite well‐received critically. In comparison, Sorry I Haven¦t Called is a bit less conceptual and a bit poppier, which makes it easier to listen to and, in my opinion, a little more cohesive in terms of sound. This is a great album to put on and just chill to in the background, but it is still sonically interesting enough to reward careful listening.

Favourite track: “You Know How”. I love how minimalist this song starts, and the trancey synthy vibes of its chorus. This is a great song to put on all of your lesbian shipping playlists.

#AlbumOfTheWeek

Cover art: A robot holding an acoustic guitar.

On MusicBrainz.

When I was very small, I received a Sony CFD‐E75 boombox as a Christmas present. Alongside it—or shortly there·after—I received what would be the first C·D¦s I ever owned: Béla Fleck: Live At The Quick and Don Ross: Robot Monster. For this first album recommendation, it seemed fitting to choose one or the other.

Not to disparage Béla Fleck, but Robot Monster is ultimately the album which stuck with me more. This is partially because of its versatility: As a kid, I loved the rhythmic feel of “Dracula and Friends, Part 1”, and as I grew older I grew to love the more mellow tones of “Fader Jones” and “Goodbye Kelly Goodbye”. This was the music that characterized my summers in elementary and middle school as I kept cool in my room and tried to make something out of Lego.

Favourite track: “I Think Of You”. As a track meant to evoke nostalgia—and one that I have been listening to for more than two decades—this one never gets old.

#AlbumOfTheWeek